Nuendo 3.1 added features for audio pull-up and pull-down, and Nuendo 3.2 introduced the Control Room, which provided comprehensive monitoring and talkback facilities without the need for an external mixer. With Nuendo 3, Steinberg really made an effort to add features to the application that would appeal to the post-production market, such as AAF support for interoperability with other audio workstations, support for playing back video via dedicated hardware, and compatibility with tools such as Gallerys ADR Studio. Hindered by subsequent changes in Steinbergs ownership and management, Nuendos original focus towards pro audio and post-production became somewhat diluted with the release of Cubase SX (which was built on the foundations of Nuendo) and Nuendo 2, which then included all of Cubase SXs functionality.įew really understood where the line was drawn between Cubase for music and Nuendo for post-production, and most people couldnt even see a line in the first place.
Here was a modern audio application with features that competitors could only dream about at the time, such as sophisticated multiple undo and surround support, running without the aid of any additional hardware.Īnd so I found myself pondering whether Steinberg would be able to make a significant dent in an industry that was, at the time, being taken over by Digidesigns Pro Tools. Note the new Transpose track at the top of the track List that lets you globally transpose both MIDI and audio events during a period of time in the Project. In previous versions of Nuendo, stems would have to be recorded one at a time by using Nuendos Export Audio Mixdown command, which was incredibly frustrating. Steinberg Nuendo 4.3 Portable Registration No Downloadupload.Steinberg Nuendo 4.3 Portable Professional Is Not.
0 kommentar(er)
